Published at Friday, August 31st, 2018 - 20:30:07 PM. . By Mckenna Power.
Here's how you can get this effect: Set the neck pickup volume knob all the way down to zero. Set the bridge pickup volume knob all the way to maximum. Keep all tone controls on maximum. Then you do the following: Set your pickup selector switch to Treble (the bridge position). Play a note or a chord and let it ring out. While it's ringing out, flick the pickup selector switch back and forth between Rhythm and Treble. You will hear the sound cut in and out crisply. This is because when you switch to the Rhythm pickup, there is "no sound there" because its volume knob is all the way down to zero. When you switch the pickup switch back to Treble, the sound instantly goes back to full volume.
It is a curious paradox of the music industry: guitarists, particularly rock guitarists, are often thought of as trendsetters when it comes to fashion and culture; but when it comes to their instruments, they are notoriously conservative. Innovations such as active electronics, guitar synthesizers and Steinberger's intrepid steps into the field of headless instruments in the 80's have failed to make much of a dent in the market. Gibson and Fender continue to dominate the electric guitar market much as they did in the 1950's and 60's. Even with the entry of new competitors into the market over the years such as Ibanez, Paul Reed Smith and CharvelJackson, the electric guitar has remained essentially unchanged with one to three magnetic pickups and a mess of wires connecting them to the controls. But things may be about to change!
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