Published at Friday, August 31st, 2018 - 23:15:44 PM. . By Aurelia Beaty.
The next step is bridge intonation and this is very very vital. The thing you have to always remember is that unlike playing other fretted instruments, the player makes the intonation not the frets. This being said you can get some help either from fret lines (like on this bass) or position markers like the ones on a blank fingerboard. The choice of one or the other is all personal preference and yet another option for you to consider.
You can do this in one of two ways. One way is to run some nice 400 grit sand paper on the fingerboard. Make sure to do this very gently because you do not want to remove the arc from your board. If you're too worried about screwing up your board spend a little cash and get your bass into a luthier to dress it for you professionally. Either way it is important that you maintain a good working fingerboard, because it's where all the sound happens. If you are lucky enough to have a bass with treated epoxy then most if not all of these maintenance steps will be unnecessary. Should problems arise make sure you do what is needed without voiding your warranty!
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